By Bradley Lane I do not want to sound harsh when I assert that Marvel films are designed as products rather than as films. Plenty
Tag: Bradley Lane
The French Dispatch
By Bradley Lane It’s hard enough to write a good script in a consistent voice but a cohesive screenplay comprised of the voices of its
The 400 Blows
By Bradley Lane Increasingly in the age of streaming, the services providing films and television to consumers are shifting their focus from obtaining pre-existing content
Portrait of a Lady on Fire
By Bradley Lane 2019 was host to more spectacular films than any other in recent memory. Horror fans received an instant cult classic in Robert
Little Women
By Bradley Lane The story of Little Women is over 150 years old at this point, so it might stand to reason the story could
Top Gun: Maverick
By Bradley Lane Tony Scott’s original Top Gun (1986) is an OK film. The scope of the film is very limited by the technology of
Dick Johnson Is Dead
By Bradley Lane Kirsten Johnson has been a cinematographer for documentary films for nearly 30 years and just recently began to direct films herself in
Apollo 10 ½: A Space Age Childhood
By Bradley Lane Richard Linklater is one of the most important American directors currently working in movies today. His studio films are considered classics like
Doctor Strange in the Multiverse of Madness
By Bradley Lane The Marvel Cinematic Universe is the most profitable film franchise in cinema history and for better or for worse, it is here